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Tell the Allied florists
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Allied Florists of Houston
The Association of Professional Florists...When only the best will do.
ELEMENTS
and PRINCIPLES |
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About Members Members by city Flowers for Kids |
based on “The AIFD Guide to Floral Design” The Elements of Design The
directly observable components, ingredients,
and
physical characteristics of design.
LINE – the
vital visual path
that directs eye movement through a composition
FORM – the
shape or
configuration of an individual component of the composition and/or the overall,
three-dimensional, geometric
shape or
configuration of a floral composition
SPACE – the
area in, around, and
between the components of the design,
defined by the
three-dimensional area occupied by the composition
TEXTURE – the
surface quality of a
material, as perceived by sight
or
touch
PATTERN – 1.
A repeated
combination of line, form, color, texture, and/or space 2. The
silhouette of a flower or an arrangement as
observetd against its
background, including solids
and spaces
FRAGRANCE – a
sweet or pleasing
odor, perceived by the sense of smell
SIZE – the
physical dimensions
of line, form, or space COLOR
– the
visual response of
the eye to reflected rays of light
The
Principles of Design Fundamental
guidelines to aesthetic design that govern the organization
of the elements and materials in
accordance with the laws of nature.
Some primary principles of design are associated with related secondary principles of design.
Primary and Secondary Principles of Floral Design
BALANCE – a
state of equilibrium,
actual or visual; a feeling of three-dimensional
stability
PROPORTION – the
comparative
relationship in size, quantity, and degree of
emphasis among components
within the composition;
the relationship of one
portion to another, or
of one portion to the whole
SCALE – the
relative ratio of
size, or the relationship of the size of the environment
DOMINANCE – the
visual organization
within a design that emphasizes
one
or more aspects. When one element is
emphasized, others are
subordinate
EMPHASIS – the
special attention or
importance given to one or more
areas within a design
FOCAL AREA/FOCAL POINT –
the
area(s) of greatest
visual impact or
weight; the center(s) of interest to which
the eye is most naturally drawn.
ACCENT – detail
added to a design
to provide additional interest, affecting the total
character of the composition
CONTRAST – emphasis
by means of
difference; strength through opposition
OPPOSITION – contrast
between
elements which are counterpoint in relation to
each other, bringing about
a sense of tension in
a
design
TENSION – the
dynamic, aesthetic
quality achieved by the skillful use of
opposition, implying or
suggesting a sense of energy
VARIATION – dissimilarity
among
attributes or characteristics RHYTHM – visual
movement through
a design, usually achieved through
repetition or gradation
DEPTH – the
placement of
materials at different levels within
and around an arrangement
REPETITION – the
recurrence of the
elements within a composition TRANSITION – the
ease of visual
movement which results from gradual
degrees of
change among one or more
of the
elements
HARMONY – compatibility;
a
pleasing or congruent arrangement of parts
UNITY
– oneness
of purpose,
thought, style, and spirit “THE
ELEMENTS AND PRINCIPLES of design are
the building blocks of every successful composition, and mastery of
them is
fundamental. In fact, they apply to
every form of artistic endeavor and are not restricted to floral design
alone. The Principles are the
time-honored conventions and guidelines that tell us how to assemble
the Elements - the
physical characteristics of the design components – into pleasing and
satisfying flower arrangements.”
The AIFD Guide to Floral Design “A floral artist learns to see any given plant material in terms of its elemental qualities…the line of its stem, the shape of its bud, the color of its petals, the texture of its leaves, etc. By skillfully applying the principles of design to combine these characteristics with those of other plant materials – or with containers, props, accessories, and the surrounding environment – the desired composition takes shape. An intuitive designer understands the mood and energy expressed by a single, shapely and colorful blossom or by the sinuous contortions of a piece of driftwood, and acts accordingly.” The AIFD Guide to Floral Design “Just as a furniture maker uses tools to manipulate his lumber, adds some paint or varnish, perhaps some fabric, and a selection of hardware to realize his vision of a chair, so does a floral designer apply the principles of design to the elements at hand, to produce new floral compositions that are limited only by the imagination of the artist.” The AIFD Guide to Floral Design “For a floral designer, the elements and principles extend beyond the floral composition itself. From a sales perspective, they apply to visual merchandising in that the elements of an effective display must be arranged according to the principles of design so as to generate interest and appeal in the mind of a potential customer. They pertain as well, to the placement of a flower arrangement within its surrounding environment, whether it is a private living room or a commercial office space. The floral design should express a harmonious relationship with its setting.” The AIFD Guide to Floral
Design “A
beginning flower arranger may feel intimidated by the elements and
principles
of design. But rather than being
limiting and restrictive, they actually provide us limitless
possibilities, for
they are the keys that unlock the secrets of pleasing floral design.” The AIFD
Guide to Floral Design
When
you look for a florist, look for the Allied Florist logo
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Allied Florists of Houston
c/o Taylor Wholesale Florist
1601 West 21st Street
Houston, TX 77008
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